John Dick’s practice is a relentless structural interrogation of human architecture. Informed by a twenty-five-year career in comparative maxillofacial anatomy and surgical intervention, these anatomical probes function as clinical records of presence.
The Practice
Working primarily in charcoal and lightfast pigment on 100% cotton rag, the studio documents the friction between biological reality and the internal pressure of consciousness.
Through the mapping of tension, the head is presented not as a subject, but as a site of profound physical witness.